The Lumen Prize, 2023 Gold Award Winner (London, UK) || Erasmus Fellowship, European Union Programme,TAI School of the Arts (Madrid, 2024) || ZKM Production and Research Residence – Center for Art and Media (Karlsruhe, Germany, 2021) || Honorary Mention The Prix Ars Electronica (Linz, Austria, 2012) || The CINTAS Foundation Fellowship in Visual Arts , (Miami, US, 2011-12) || Selected work at ISEA, International Symposium on Electronic Art ( Montreal, 2020; and Korea, Asia Culture Center, 2019) || The National System of Art Creators of the National Fund for Culture and the Arts (Mexico, 2012-2014, 2017-2019 and 2022-2025) || Support Program for Production and Research in Art and Media of the National Center for the Arts. (Mexico, 2007), || Award from the Goethe Institute for the Media Facade. (Mexico, 2005) among others.

Evidence, Museum of the University of Guanajuato (2021) || Helical, Museum of Modern Art, site-specific sound project, México D.F, (2016) || Looming, The Front Gallery, San Diego, US, Translocality project room (2015) || Premature, Casa del Lago, University Cultural Center Juan José Arreola (2014) || Triangulation (1), Sonnenschein Gallery, Lake Forest, Chicago, US (2014) || Triangulation (2), Albright Gallery, Lake Forest, Chicago, US (2014) || Multiple vortex tornado, Greusslich (2013). Contemporary, Berlin, Germany || Climate Agent, Biblioteca Vasconcelos, Mexico City (2012) || Decúbito, Casa Vecina, Mexico City (2012) || M(r.p.m.) Deutschlandlied, Greusslich Contemporary Gallery, Berlín (2011) || Segundo Aire, Galeria Nina Menocal, Mexico City (2010) || Safe, Nina Menocal Gallery, Mexico City (2009) || 23.90 mts, site-specific sound project: Trolebús, Mexico City (2009) || Bubble Level, El Eco Experimental Museum, Mexico City (2008) || Unswitchable (suspension due to freezing), Board of Trustees of the Historical Center, Mexico City (2007) || Art Statement Markup Language. Alameda Art Laboratory, Mexico City (2003) || Panopticon. La Torre de los Vientos, Mexico City (2002).

Custodia.place, Museum of Contemporary Art of Querétaro (Mexico, 2023) || Attack from the codes, Interactive Museum of Puebla (Mexico, 2023) || 26th International Symposium on Electronic Art Video //PLAY: On-Site Moving Programme, Montreal (2020) || Impakt Festival, Sound of One Computer Thinking, Center for Media Culture, Nederlands (2019) || Big Bang Data, Fundación Telefónica España & Centro de Cultura Digital CCD, Ciudad de México (2017) || Zonamaco Mexico Arte Contemporaneo, International Art Fair (2017) || Resonancias desde el jardín de las delicias, Carrillo Gil Museum, Mexico City (2016) || X Bienal Internacional de Arte SIART 2016 || Cibergeografias, Centro Cultural de España (Av. Camacho), La Paz, Bolivia (2016) || La Estela en el Horizonte, Casa del Lago, Centro Cultural Universitario Juan José Arreola (2015) || Bruit Noir / Black Noise, Rue Peel, Montreal (2015) || Zonamaco Mexico Arte Contemporaneo, International Art Fair (2014) || Dia Art Center, New York, Collaboration with Iñaki Bonillas, (2014) || Impact and Legacy: 50 years of the CINTAS Foundation, Freedom Tower, Miami, US (2014) || NETescopio, Edith-Russ-Haus for Media Art, Oldenburg, Germany (2014) || TEA: superconnected, National Taiwan Museum of Fine Arts, Taiwan (2013) || Teoría de la entropía, Centro cultural Tijuana, Mexico (2013) || X Bienal Monterrey FEMSA, MARCO, Antiguo Colegio de San Ildefonso || CCB Contemporary, Centro Cultural El Bosque, Mexico City (2012) || X Bienal Monterrey FEMSA, MARCO, Museo de Arte Contemporáneo de Monterrey, Mexico (2012) || NETescopio: Centro de Exposiciones SUBTE, Montevideo, Uruguay (2012) || Bienal Portugal Arte 10 EDP, The first edition of the International Survey of the Contemporary Art Serendipity (2010) || Archivo: trabajo de campo, muestra en 11th aluCine Toronto Latin Film & Media Arts Festival (2010) || Contra Flujo: Independence And Revolution at Stanlee and Gerald Rubin Center For The Visual Art (2020) || In/posición dinámica, Ars Electronica, Laboratorio de Arte Alameda Y Centro Cultural de España, Festival del Centro (2010) || Los Impolíticos, PAN Palazzo delle Arti Napoli, Italy (2009). Nkisi Project, Miami FL (2009) || Distortions: Contemporary Media Art from Mexico, The College Art Gallery, New Jersey (2009) || The NTU School of Art, Design and Media, Singapore (2009) || Desmontaje, Museo Extremeño e Iberoamericano de Arte Contemporáneo, Badajoz, Spain (2008) || V Muestra de Arte Sonoro: Fragmentos Sonoros. Ex Teresa Arte Actual, Mexico City (2007) || Feria ARCO. Madrid, Spain (2006) || Data Space. ARCO. Museo Conde Duque. Madrid, Spain (2005) || e-maxico. Museo Rufino Tamayo, selección de netart México. Mexico City (2004) || LatinoNetarte.net. Java Museum. (2003) || Panóptico (la torre de los vientos). Feria de Arte Art Basel Miami. Presentó: PAC (Patronato de Arte Contemporáneo). Miami, USA (2002).

Programmers and Violins: Open Media Unit of the 2023 Cross-Media Art Festival (Shanghai, CH) || Medialab Matadero, (Madrid, Spain, 2023) || Cutout Fest, Museum of the City (Queretaro, 2023) || ICLC, International Conference on Live Coding, Creative Coding Utrecht, (Netherlands.2023) || Algorithmic Art Assembly, Gray Area Grand Theater (San Francisco, 2022) || Festival Internacional Mutek México (2022) || ZKM - Center for Art and Media (Karlsruhe, Germany, 2021) || Live coding + VR, Festival Internacional Mutek México-Japón (2020) || Visiones Sonoras 16, Festival Internacional de Música y Nuevas Tecnologías (2020) || Hybrid Live Coding Interfaces performance and craft, sound sculpture performing, University of Durham, Centre for Digital Music, Queen Mary University of London y Deutsches Museum Research Institute / FoAM Kernow (2020) || Reudo Fest 20, Perú, (2020) || Act Festival Food Hack 2019 || ISEA 2019, Coding In Atypical Places, Live Coding Act (2019) || Mutek Mexico, live act with CNDSD (2019) || Mutek Montreal, live act with CNDSD (2018) || NeumaT, Visiones Sonoras, Festival Internacional de Música y Nuevas Tecnologías, Morelia (2015) || Post-consumer sound waste site-specific sound project: Border, Art Center, Mexico City (2008), Festival bend++ opus., Tokyo Polytechnic University, Department of Media Art: Kanta Horio lab. Tokio, Japón (2006), Museo XTeresa Arte Actual, Mexico City (2006) || ASML sequencer (visual-sound performing) || Media Art Fest: BigBlip05. Brighton, UK (2005).

Head and co-creator of the study programs at the University Center for Design, Cinema and Television in Mexico (2013-2018): 1) Bachelor's Degree in Interaction and Digital Media, 2) Specialty in Creative Code for Design, 3) Specialty in Creative Code for Animation and Video and 4) Specialty in Data Visualization.

Masterclass and workshops at the International Live Coding Conference (2023) || the Bogotá Cinematheque (2023) || Conservatory of Music in Antwerp || HKU Games at Interactive School, Utrecht (2023) || Medialab Matadero, Madrid (2023) || The Networked Imagination Laboratory ,McMaster University, School of Intermedia Art (2023) || Academy of Arts China, Shanghai (2023), etc.

Director of the 1st Transito MX International Electronic Arts Festival and curator of the second edition of this festival || Curator of media art and sound art programs at the Border Cultural Center || Co-founder and co-organizer of the Dorkbot Mexico project || Jury and Mentor of the Young Creators fellowship from the National Fund for the Arts of Mexico, among others.

Gaming Utopia, Ludic Worlds in Art, Design and Media, Claudia Costa Pederson, Indiana University Press, Printed in the United States of America, 2021. || Latin America, Modern and Contemporary Art, Femsa Collection, Printed in Mexico, 2015. || Tea/Super Connect, International Techno Art Exhibition, National Taiwan Museum of Fine Art, Shu Min Li, Printed in Taiwan, 2012 || Trolebus 2005-2009, published by Ariadna Ramonetti, Printed in Mexico, 2010 || Contraflow, Independence and Revolution, The Stanlee and Rubin Center for the Visual Art at The University of Texas at El Paso, printed in U.S., 2010 || [IN] Posición Dinámica, Ars Electronica MX, English / Español , printed in Mexico, 2010 || Los Impolíticos, Palazzo delle Arti Napoli, Coedited by Electa Napoli and Palazzo delle Arti Napoli, curated by Laura Bardier, English / Italiano, printed in Italy, 2010 || Código D.F. Arte y Cultura Contemporánea desde la Ciudad de México, English / Español , printed in Mexico, 2010 || Transitio_mx 02, Fronteras, Editado por Consejo Nacional para las Cultura y las Artes (CONACULTA), Printed in Mexico, 2009 || Artes y Medios Audiovisuales. Un estado de situación, Jorge Laferla (compilador), Español, published by *Aurelia Rivera - Nueva Librería, printed in Buenos Aires, 2007.

FEMSA Foundation, CINTAS Foundation || Patronage of the Historic Centre (Mexico), || Televisa Art Foundation, || MUAC (Mexico City), || Extremadura and Ibero-American Museum of Contemporary Art || Guanajuato University Museum

- Bachelor of Informational Design by the Higher Institute of Design of Havana

- Master of Engineering in Information Technology by Universidad Anáhuac * credits completed